tp最新版官网|john lennon

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2024-03-07 19:25:53

约翰·列侬（英国男歌手、音乐家、诗人、社会活动家）_百度百科

侬（英国男歌手、音乐家、诗人、社会活动家）_百度百科网页新闻贴吧知道网盘图片视频地图文库资讯采购百科百度首页登录注册进入词条全站搜索帮助首页秒懂百科特色百科知识专题加入百科百科团队权威合作下载百科APP个人中心约翰·列侬是一个多义词，请在下列义项上选择浏览（共3个义项）展开添加义项约翰·列侬播报讨论上传视频英国男歌手、音乐家、诗人、社会活动家收藏查看我的收藏0有用+10约翰·温斯顿·列侬（John Winston Lennon，1940年10月9日—1980年12月8日），出生于英国利物浦，英国男歌手、音乐家、诗人、社会活动家 [1]，摇滚乐队“披头士”的成员 [2]。1952年9月在进入Quarry Bank初级中学之后开始喜欢上音乐。1955年初在学校里组织了一个摇滚乐队“the Quarrymen”（采石工人）。1960年组建“披头士”乐队，并开始在各地的俱乐部演出。1965年获英国女王颁发的大英帝国勋章。1970年披头士乐队解散后，列侬发行了《约翰·列侬/塑胶小野乐队》与《想像》等专辑，也创作了《Give Peace a Chance》、《Imagine》等歌曲，列侬同样也参与了许多社会活动，用音乐来呼唤和平，参与了反越战活动。1980年12月8日晚上10点49分，约翰·列侬在纽约自己的寓所前被一名据称患有精神病的美国狂热男性歌迷马克·查普曼枪杀，年仅40岁。1994年入选摇滚名人堂 [3]，2004年入选《滚石》杂志评出的“历史上最伟大的50位流行音乐家” [4]。本名约翰·温斯顿·列侬外文名John Winston Lennon性别男国籍英国出生地英国默西塞德郡利物浦出生日期1940年10月9日 18时30分 [5]逝世日期1980年12月8日毕业院校利物浦艺术学院星座天秤座血型O型身高178 cm [28]音乐类型摇滚乐擅长乐器吉他、钢琴、鼓、口琴等 [28]所属组合The Beatles（已解散）队内职务主唱代表作品Come Together、Imagine、Give Peace a Chance、Love [28]、Jealous Guy [28]、Mind Games [28]、All You Need Is Love [28]、Lucy In The Sky With Diamonds [28]、Norwegian Wood [28]、Strawberry Fields Forever [28]主要成就获得大英帝国勋章职业歌手、音乐家、诗人、社会活动家目录1人物经历▪早年经历▪组建乐队▪单飞之后2个人生活3主要作品▪音乐专辑▪音乐单曲▪书籍作品4社会活动5获奖记录6人物评价7纪念缅怀▪纪念活动▪纪念书籍▪纪念行星人物经历播报编辑早年经历年轻时的约翰列侬1940年10月9日下午6点30分，约翰·温斯顿·列侬出生于英国利物浦一个工人阶层家庭里。列侬的父亲在小列侬只有三岁时就抛弃了妻子和儿子，因此，列侬很小的时候就不得不寄宿在位于沃尔顿郊区的姨母家里。 [5]列侬的父亲Alfred Lennon常常出海，而且一出发就失去连络，他的母亲Julia觉得不能照顾好列侬，因此送他去和他的伯母咪咪及叔叔乔治同住。可能是由于失去了父亲的缘故，列侬在伯母家一直是一个很不听话而且反抗性格极强的孩子。他经常逃学，也不好好做作业而是在作业本上乱写乱画。组建乐队1952年9月，列侬进入Quarry Bank初级中学 [5]，列侬进入Quarry Bank之后，于1955年初在学校里组织了一个摇滚乐队“the Quarrymen”（采石工人），唱所有的游行歌曲，它正是披头士乐队的前身。列侬一直担任乐队的主要歌手和词作者。 [5]约翰·列侬1956年，16岁的列侬所在中学的校长为他写了一封推荐信，他前往利物浦的艺术学校学习。1960年，列侬组建了他的“披头士”。并开始在各地的俱乐部演出。第一支单曲《Please Please Me》诞生。 [6]1961年底，列侬和他的The Beatles碰到了布莱恩·爱普斯坦。披头士1964年到达肯尼迪国际机场 [7]1962年5月，披头士正式与伦敦EMI旗下的一家小公司Parlophone签下录音合同。自此，开始了以披头士为主角的摇滚乐“不列颠入侵”。 [5]20世纪60年代中期，列侬成为乐队中第一个吸毒的人，他还鼓励其他人和他一样学习瑜伽。麦卡特尼离开乐队时的最后一张专辑1968年，披头士乐队成功发行了“白金唱片”的“The Beatles（White Album）”之后，列侬与小野洋子还发行了他们共同创作的唱片《两个处子》（Two Virgins）。由于其封面是列侬与洋子的裸照，因此很多音像商店都禁止出售这张唱片。 [5]1969年4月开始录制，9月26日在英发行的专辑《Abbey Road》（修道院之路），引起乐队成员的分歧，约翰和保罗纷纷指责对方的妻子过分介入乐队的事务，从而引发口角乃至起诉。5月，列侬与小野洋子回到英格兰，但不久洋子就流了产，后来类似的情况又发生过几次。为了摆脱失去孩子的痛苦，列侬与洋子在极短的时间内录制了两张唱片，其中一张名为“婚姻金曲（Wedding Album）”，其B面全都是列侬与洋子相互叫喊对方名字的叫嚷声。同年夏天，列侬还与洋子一起前往加拿大多伦多参加9月份举行的一次摇滚音乐节。6月，麦卡特尼在发行自己的第一支单曲的同时，正式宣布披头士乐队解散。单飞之后披头士乐队1970年4月，披头士解散。同年，约翰·列侬发行了第一张个人专辑《Plastic Ono Band》，专辑中收录了《Mother》、《God》、《Love》、《Isolation》。1970年2月，他创作的《Instant Karma》成为当年的十大歌曲之一。后来，列侬创作了好几首表达自己愤怒之情的歌曲，而麦卡特尼也予以还击，在1970至1973年中，两人的歌战从未停息，后来麦卡特尼以歌曲《Let Me Roll It》作为这一切的结束，并再次拜访列侬的家，两人和好如初。 [5]《Imagine》封面1971年，列侬与洋子春天时移居美国纽约。秋天，列侬发行了他的单曲《Imagine》，该乐曲涉及到了他个人的一些问题以及一些政治问题。10月，他为《Imagine》补充发行的选集。列侬对政客们的仇视也在这张专辑里的《Gimme Some Truth》里表现了出来，形象的表现出了当时政治家的形象，这首歌也被视为了列侬的一首名曲。12月，一首圣诞单曲《Happy Christmas （）》发行。 [5]1972年年初，由于美国移民局以1968年列侬因持有大麻被定罪拒绝为他颁发工作许可证，列侬开始了与美国移民机构的斗争。他与纽约当地的激进乐团共同创作了一些纯属政治作品的歌曲，这些歌曲无论是从商业还是从艺术角度而言都没有获得成功。同年，他发行了专辑《Some Time in New York City》，专辑中包含的数首政治色彩强烈的歌曲是列侬在与激进分子联系最密切的时期创作的。《Luck Of The Irish》就是一个典型的例子，表面看起来歌曲轻快，但歌词里面包含了严苛的评论。这张专辑表现出反抗精神最强烈的是另一首被列侬称为《Woman Is The Nigger Of The World》的歌曲。但这张专辑也成为了列侬生前反响最差的专辑。列侬雕像1973年，他又推出了专辑《Mind Games》，和上一张专辑一样，并未大获成功，这张专辑揭示了他与小野洋子之间存在的问题，事实上他与洋子分居了1年多，而此时他又与美国政府产生了纠纷，美国政府试图将他驱逐出境，而越战的结束也让他从人们视线焦点之中淡出。列侬受到打击，在将近一年的时间都没有进行音乐创作。同年，美国移民局下令要求列侬离开美国，但遭到了他的拒绝。在后来的两年内，列侬染上了很重的毒瘾，并经常出入上流社会的晚宴和夜总会等场所。在这期间，列侬与艾顿·约翰相识并成为好朋友，创作了多首歌曲。接下来的几年，他登上了飞机开始对抗遣返及争取绿卡的活动。 [5]1974年感恩节的夜晚，列侬与埃尔顿·约翰一同出现在纽约麦迪逊花园广场为观众献艺，但这次的公开亮相却成为列侬一生当中最后的公开表演之一，他演唱了披头士第一张专辑《Please Please Me》中的第一首歌曲，保罗·麦卡特尼创作的《I Saw Her Standing There》。披头士1975年，列侬的孩子出世，从此他潜心在家养子。年底，列侬在埃尔顿·约翰的帮助下与洋子之间的分歧有所缓和；，10月，美国一家上诉法院推翻了此前美国移民局要求列侬离开美国的命令。1976年，列侬的倒数第二张专辑，封面选用了披头士时期的照片，歌曲都是经典翻唱，名字也很简单《Rock 'n' Roll Music》。列侬给查普曼签名，晚间被其杀害1980年年初，在将孩子Sean抚养大后，列侬宣布复出乐坛并签署了新的歌曲创作合同。8月，沉寂了多年的列侬与妻子开始录制他们的专辑《双重梦幻》（Double Fantasy）》，该唱片于当年11月正式发行 [8]。12月8日晚10点49分，列侬被一名歌迷射倒在达科塔大厦门前，终年40岁。 [9]凶手马克·查普曼在凶杀现场被逮捕，后被判处终生监禁，并且在2000年以前不得假释。 [10-11]12月9日，小野洋子宣布，”列侬不会有葬礼，他爱着大家，爱着人类，希望你们也爱他“ [12]。12月14日，全世界数百万歌迷们在美国东部时间下午两点参加了为了列侬而进行的十分钟的默哀。 [12]个人生活播报编辑1963年8月23日，列侬和辛西娅结婚，并在1963年4月8日生下他们的儿子朱利安。 [13]2015年4月1日，辛西娅·列侬在西班牙马洛卡的家中去世。 [14]1969年春天，列侬与已怀有身孕的小野洋子一起前往欧洲“度蜜月”，并于3月20日在直布罗陀结婚。1976年，小野洋子再次怀上了身孕，并于同年10月9日（这一天正好是列侬本人的生日）生下了孩子希恩。列侬和小野洋子主要作品播报编辑音乐专辑显示方式：专辑列表 | 专辑详情专辑名称发行时间语言详情Menlove Ave1986-11-03英语milk and honey1984-02-27英语Double Fantasy双重幻想1980-11-17英语SHAVED FISH1975-10-24英语ROCK AND ROLL1975-02-17英语WALLS AND BRIDGES1974-09-26英语MIND GAMES1973-11-02英语SOMETIME IN NEW YORK CITY1972-09-15英语Imagine1971-09-09英语John Lennon & the Plastic ONO BAND1970-12-11英语THE PLASTIC ONO BAND--LIVE PEACE IN TORONTO 19691969-12-12英语WEDDING ALBUM1969-10英语UNFINISHED MUSIC NO.2: LIFE WITH THE LIONS1969-05-26英语UNFINISHED MUSIC NO.1: TWO VIRGINS1968-11-11英语Signature Box2010-10-4英语 [15]音乐单曲歌曲名称All You Need Is LoveCome TogetherHappiness Is A Warm GunStrawberry Fields ForeverI Am The WalrusPlease Please MeHelp!In My LifeLucy In The Sky With DiamondsRevolution1/2书籍作品书籍书名时间《In His Own Write》1964年4月27日《A Spaniard in the Works》1965年6月14日 [7]《Skywriting by Word of Mouth》1986年10月10日《安妮・达菲尔德小姐的奇异经历》（The Singularge Experience of Miss Anne Duffield） [7]--社会活动播报编辑胡佛给尼克松的关于列侬的密信甲壳虫乐队在20世纪60年代末解散后，列侬与小野洋子曾进行了一系列先锋艺术探索。与此同时，他们在社会政治活动中还做出了一系列大胆行动，一时被美国政府列为不受欢迎的人。 [16]1969年3月，列侬与小野洋子在蒙特利尔度蜜月时有过床上和平行动（Bed－InForPeace）。这个行为艺术是为反对美国对越南的战争而创作的。小野洋子和列侬在荷兰阿姆斯特丹的一家旅馆的大床上整整7天不下床，接受各大媒体的采访和拍照。从那个时候开始，夫妇俩将反战和宣扬和平的理念融进他们的艺术创作中。 [17]5月，校园反越战运动达到高峰。作为一个反越战主义者，列侬和小野洋子在阿姆斯特丹举行了“爱与和平”的静坐示威，向全世界呼吁“武力不会对和平有任何帮助：任何人都可以通过躺在床上一星期而获得和平。 [18]获奖记录播报编辑奥斯卡获奖时间奖项名称获奖作品获奖结果1971第43届最佳歌曲顺其自然 [19]获奖个人荣誉获奖时间奖项名称获奖结果2004入选《滚石》杂志评出的“历史上最伟大的50位流行音乐家”获奖1994入选摇滚名人堂获奖1965英国女王颁发的大英帝国勋章获奖人物评价播报编辑约翰·列侬专辑(20张)格莱美博物馆的执行主管称约翰·列侬是“将自己的灵魂都毫无不留地展示了出来”。约翰·列侬也许是最善于将自己的音乐变成文化遗产的歌手，《Imagine》、《Working Class Hero》、《Give Peace A Chance》此类歌曲的效能已经远远超过音乐本身，而成为一种态度，一种主义的诠释。真实的约翰·列侬将他看到的写进歌曲，与歌迷们分享自己的快乐和悲伤，这种真实就如那位疯狂歌迷射向约翰·列侬的一枪那么历历在目。（网易评 [20]）理想主义的约翰·列侬总在刻画着美好的画面，他所服务的，是全人类。这也是为什么他在全世界都会有歌迷的原因，他的音乐无国界，其中传达的是普世精神。（网易评 [20]）1969在提坦赫斯特公园列侬的寓所前约翰·列侬的音乐创作中和平、博爱、理想主义是高于一切的，他繁多的个人故事和悲剧性结局也是很好的谈资。从总体上看，约翰·列侬的个人音乐风格是“披头士”风格的延续，可以找出一大堆作品来证明这一点。人们熟悉的约翰·列侬个人作品主要由两大类，一类是流行曲或带点民谣风格的流行曲，像《Imagine》、《Beautiful Boy》、《Love》、《Happy Xmas》、《Jealous Gug》等，旋律悦耳，节奏舒缓；另一类是R&B老摇滚风格，诸如《Instant Karma!》、《Power To The People》、《Whatever Gets You Thru The Night》、《I'm Losing You》、《Move Over Ms L》还有《Walls And Bridges》专辑中的《What You Got》和《Surprise，Surprise》都是例子，这两类风格在“披头士”作品中也很常见，但是第一类风格的作品约翰·列侬处理得比较舒缓，“披头士”的就会比较快一点。（新浪评 [21]）其实约翰·列侬的个人风格比“披头士”更为美国化，像在《Mind Games》和《Walls And Bridges》两张专辑中就有不少低沉缓慢的、气氛伤感的民谣和乡村布鲁斯风格的作品，美国味很浓，《Old Dirt Road》、《Steel And Glass》、《Nobody Love You（When You're Down And Out）》、《Aisusmasen（I'm Sorry）》、《I Know Know》都是很好的例子。其它如《Scared》这类迷幻味很浓的作品，也可以视为美国西海岸嬉皮士运动和迷幻摇滚影响的产物。约翰·列侬对作品内涵的重视要远胜于音乐风格形式上的开拓。（新浪评 [21]）纪念缅怀播报编辑纪念活动吉他拍卖列侬去世后，他在披头士以及单飞后的所有专辑都立刻重新发行，销量和唱片的排名简直就像披头士的全盛时期。西方各大电视台、广播电台都停止播音十分钟，以示默哀；他的意外身亡也使得《Double Fantasy》等唱片在全球的销量上升；《时代周刊》以“音乐之死” 为封面标题报道他的离世。20世纪80年代中期，列侬生前没有发行的一些曲目陆续面市，他在1972年参加的一次慈善演出的录像也被很多乐迷进行了收藏。另外，为了纪念列侬，披头士乐队的几位创始成员还于1995年重新录制了70年代期流行的几首老歌，这末些歌曲后来都登上了1996年的排行榜。 [12]每年的12月8日人们纷纷自发地聚集到纽约中央公园的以列侬名曲命名的Imagine广场、列侬被害的达科塔公寓前、草莓地，纪念约翰·列侬。 [12]2000年12月8日，约翰·列侬离世二十周年，古巴哈瓦那广场上新建了约翰·列侬的纪念碑，卡斯特罗亲自为其揭幕，以示敬意和怀念。约翰·温斯顿·列侬(6张)2005年，John- Lennon.com召集约翰·列侬的信仰者在列侬65岁生日那天向联合国提出撤销国家界限的提议。 [12]12月8日也是列侬去世25周年，好莱坞导演贾雷特·舒弗尔率先决定以枪杀案作为主题，拍摄了一部关于列侬生命最后一周的电影。10月下旬，72岁高龄的小野洋子重踏上东京武道馆的舞台，首次独唱了“甲壳虫”的经典名曲，用来纪念早逝的丈夫。此外电影《在约翰·列侬的人生中》也是一部关于列侬的电影作品。 [22]2012年伦敦奥运会闭幕式上，在向志愿者致谢之后，现场灯光暗了下去，利物浦合唱团的孩子们开始合唱约翰·列侬1971年的作品《Imagine》，随后，约翰·列侬弹唱音乐的形象出现在了大屏幕上，现场掌声雷动。 [23]2013年3月21日，小野洋子发了一条Twitter，展示了列侬被射杀时戴的眼镜，20几年来，血迹一直未擦拭。并配了一段文字：“1980年12月8日，约翰·列侬被射杀至今，美国共有105万7千人被枪射杀”。美国总统奥巴马转发了该条推文。小野洋子twitter配图2013年5月20日，约翰·列侬生前弹过的一把电吉他日前在纽约拍卖会上以40.8万美元（约合人民币250万元）拍出。这把吉他是列侬1966年定制的，被用于1967年专辑《奇幻之旅》的弹唱，后来列侬将这把吉他赠送给一名好友，作为其25岁生日礼物。该好友2004年将这把吉他出售。 [24]1970年代，列侬成名之前在英格兰利物浦一所男校读书时的老师将与列侬有关的几页1955年前后的记录保留下来。两份是仅存的、没有流落到他人之手的文件之一。 [25]2014年10月3日，澳大利亚音乐家沃特斯与钢琴家斯图尔特创作的一部约翰·列侬的传记音乐剧在纽约举行媒体见面会。该剧以音乐会和传记相结合的形式，用约翰·列侬一生著名的31首曲目，展现这位世界著名音乐家的人生经历和创作才华。 [26]纪念书籍书名作者《Lennon In America》Geoffrey Giuliano《Nowhere Man:The Final Days Of JohnLennon》Robert Rosen《Lennon Remembers:The Full Rolling Stone Interviews From1970》 [12]Robert Rosen《Memoriesof John Lennon》 [27]小野洋子《列侬回忆》扬·温纳《All We Are Saying》《花花公子》访谈录纪念行星天上有五颗小行星分别命名为披头士星星、列侬星星、麦卡特尼星星、哈里森星星和斯塔星星。新手上路成长任务编辑入门编辑规则本人编辑我有疑问内容质疑在线客服官方贴吧意见反馈投诉建议举报不良信息未通过词条申诉投诉侵权信息封禁查询与解封©2024 Baidu 使用百度前必读 | 百科协议 | 隐私政策 | 百度百科合作平台 | 京ICP证030173号京公网安备110000020000

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如何评价约翰·列侬（John Lennon）? - 知乎

如何评价约翰·列侬（John Lennon）? - 知乎首页知乎知学堂发现等你来答切换模式登录/注册艺术音乐摇滚乐披头士（The Beatles）约翰·列侬（John Lennon）如何评价约翰·列侬（John Lennon）?关注者623被浏览606,342关注问题写回答邀请回答好问题 101 条评论分享48 个回答默认排序JohnnyZhu欢迎听听我的摇滚乐Live，公众号B站同名。关注别了约翰·列侬36年John Lennon - God - 腾讯视频https://v.qq.com/x/page/q03441426n9.html36年前的今天，1980年12月8日，约翰·列侬遇刺身亡，年仅40岁。12月14日，数以百万计的人们在世界的各个角落为他静默十分钟。有三万人在他的家乡英国利物浦，二十二万人在他离开这个世界的地方美国纽约中央公园聚集，纽约市的所有广播电台也在那十分钟停止了一切播音，怀念这位伟大的音乐家和社会活动家。人们举着标语，持着蜡烛，在那个肃杀冰冷的冬天默默流泪，为这位一直主张爱与和平的嬉皮士图腾倒在暴力的枪支下而痛彻心扉。回首七十年代经历过的社会撕裂，信仰崩塌；美好的愿望遭来不解嘲讽甚至谩骂，看到世界没有变得更好却走向分裂和未知的困惑和绝望；那痛心而又无奈的无力感和麻木不仁，终化成一声叹息。1968年，马丁·路德·金遇刺。同年，尼克松当选美国总统，在继续越战的同时入侵柬埔寨，引起更大规模的反战游行。1970年，尼克松政府在俄亥俄州肯特州立大学射杀手无寸铁的抗议学生，警卫队向骚乱学生在13秒内射出67发子弹，造成4名学生死亡，9名学生受伤，其中一人终身残废。与此同时发生的几起恶性暴力事件让倡导和平与爱的嬉皮士运动退潮，那些时代的旗手们纷纷沉默淡出解散，一个激动人心的伟大时代开始慢慢被画上句点。1970年12月11日，在乐队正式宣告解散后，前披头士成员约翰·列侬发表了第一张真正意义上的个人专辑《约翰·列侬与塑料小野乐队（John Lennon/Plastic Ono Band）》，与这张摇滚专辑同一天还出版了另一张实验音乐的姊妹专辑《小野洋子与塑料小野乐队（Yoko Ono/Plastic Ono Band）》。这两张专辑由列侬夫妇和著名制作人Phil Spector制作，由John Lennon担任吉他手和键盘手，前披头士乐队的队友Ringo Starr担任鼓手，披头士乐队的好友、Revolver专辑的封面设计者Klaus Voormann担任贝斯手。专辑的封面是列侬夫妇互相依靠在对方的身上坐在树荫之下。1970年这一年中，披头士乐队和成员一共发了6张专辑，共8碟，分别是：3月Ringo Starr的Sentimental Journey；4月Paul McCartney的McCartney；5月The Beatles的Let It Be；9月Ringo Starr的Beaucoups of Blues；11月George Harrison的三碟专辑All Things Must Pass；和12月John Lennon的John Lennon/Plastic Ono Band。约翰·列侬的这张专辑被滚石杂志评选为“最伟大的500张专辑”的第23位，是他最纯粹、最真实的一张专辑，在音乐中他把所有的愤怒、痛恨、怀疑、惆怅、迷失、无奈表达得淋漓尽致，日本版把这张专辑的名字译为“ジョンの魂”，即“约翰之魂”。这张专辑是约翰·列侬最伟大的作品，甚至超过他的第二张专辑《想象（Imagine）》。专辑中的灵魂之作就是这首名为God的作品，是列侬最为极端的一首歌曲，他找来了Let It Be时期为披头士伴奏的键盘手Billy Preston演奏钢琴。在经历了乐队解散、曾经的兄弟反目成仇，所有的名利变得一文不值；经历了倡导和平的行为艺术被不理解的和别有用心的人们指责和谩骂；经历了他的妻子被各种热爱他和讨厌他的人恶毒攻击；经历了沉迷宗教寻找去路后，却发现残酷的真相和虚伪的假面；经历了社会动荡、生灵涂炭，为反战而集结在一起的人们节节败退；经历了政治环境变化，曾为之奋斗的遗产和果实被颠覆后，他说：“上帝只是人类丈量痛苦的一个概念而已，是的，我再说一遍：上帝只是人类丈量痛苦的一个概念。我不相信魔法；我不相信易经；我不相信圣经；我不相信塔罗牌；我不相信希特勒；我不相信耶稣；我不相信肯尼迪；我不相信释迦摩尼；我不相信曼特罗；我不相信薄伽梵歌，我不相信瑜伽；我不相信国王；我不相信猫王；我不相信迪伦；我不相信披头士。我只相信我自己，洋子和我自己，这就是现实。”The dream is over, what can I say? The dream is over, yesterday I was the dreamweaver but now I'm reborn I was the walrus but now I'm John And so dear friends you'll just have to carry on The dream is over 我们尽力了，真的尽力了，但是失败了。我想起那个万里晴空后的第二天，惆怅的秋雨下了一整天，落叶被风雨狠狠地打在地面上，那灿烂的色彩被泪水打湿，路上那些青春而又衰老的紧锁眉头的面孔，流淌在脸上的分不清是雨水还是泪水。我在那夜的雨中睡去，伴着伤口迸裂的巨响，听着隔壁提琴的抽泣，晚安所有未眠的人们。有些人在黑暗中偷笑我们徒劳，暴风雨已经逐渐停息，今年的冬天寒冷而寂寥，而前路依然是那么漫长。是的，梦结束了，也该醒了。在痛苦地否定一切之后，我们变成了一座座孤岛，被现实所分离。列侬在Isolation里说：我们只是一个小男孩和一个女孩，曾幻想改变整个世界，可是这个世界只是一个小镇，每个人都想搞垮我们。在你们给我们带来这么多的伤痛后，我不指望你会理解，甚至不怪你们，因为你也只是个普通人，是这场疯狂的民粹的受害者。我们惧怕孤独，但也惧怕人群。Isolation这首歌和God一样，只有简单的钢琴贝斯和鼓的伴奏，列侬撕裂在崩溃边缘的歌喉表达了面对现实和对未知未来的恐惧。列侬拿起了电吉他，用最简单的摇滚三大件演奏了Well Well Well。讲述了他和洋子坐在田野上，仰望英国的天空却感到一阵阵愧疚，而他们不知道为什么。他们谈论革命，讨论妇女解放，可是不知道该如何才能成功。好吧，好吧，好吧，就这样吧。John、Ringo和Klaus在钢琴、鼓和贝斯的节奏下演奏了Remember，在歌曲的最后，列侬说不要忘记11月5日！然后歌曲在爆炸声后戛然而止。11月5日指英国的篝火之夜，也称Guy Fawkes Night，是1605年Guy Fawkes在议会大厦地下室存放大量炸药计划炸死英国国王詹姆斯一世和众议员失败，后来国王把那一天定位篝火之夜，纪念这一次危急存亡的时刻。在探讨政治之外，列侬继续把矛头指向宗教。在I Found Out中，列侬炮轰基督教和印度教这两个他曾经深入了解的宗教。他唱道：我发现，印度教的黑天神什么都不会给你，只会让你每天等待天上掉馅饼。在披头士印度灵修期间，列侬发现了众人敬仰的印度教大师其实是个不折不扣的伪君子，这个令人作呕的发现使他彻底打消了探究印度教的想法。他还唱道：耶稣不会再次从天而降，我看到基督教信仰从追随基督耶稣变成追随使徒保罗。他指的是圣经新约开始的四卷福音书是记载基督耶稣的教诲，而后大半变成了使徒保罗——一个非原始耶稣十二个门徒之一，从残酷迫害基督徒到豁然省悟成为基督教新领袖的人对信徒的指令。基督教新约中对社会伦理的条条框框大部分出自保罗之手，诸如强调男人在社会和家庭的领导地位、离婚的罪恶、同性恋的罪恶等等。使得新约从耶稣的爱人如己，平等博爱变成一套两千年前古代社会的善恶道德体系。对于追求社会公平正义，倡导平权的列侬而言，宗教只是强行划分人与人的不同，造成各种冲突隔阂的工具，麻木统治人民的毒品而已。Working Class Hero，本张专辑的另一首重磅歌曲，列侬继续批判社会和宗教。在1968年列侬夫妇用裸照做专辑Two Virgins封面遭到打码和抵制之后，1970年的这首歌是流行音乐史上首次把fucking写进歌词，在专辑歌词本上被打码和谐的歌曲。列侬用这首歌告诉我们真正的摇滚不需要噪，不需要电吉他电贝司和架子鼓，只需要一个摇滚的灵魂。列侬只用一把木吉他和最淡定的歌喉演绎了这首最屌最摇滚的圣歌。列侬说：他们在你一出生的时候就让你感到自己的渺小卑微，从不给你时间认知自我，直到痛苦早已无法掩饰而你依然浑然不自知。他们在家庭里伤害你，在学校里打击你，他们憎恨你的聪明却嘲笑你的愚蠢，直到你彻底变成他妈的疯子，不得不按着他们制定的规则生存。在他们折磨和恫吓你二十年之后，就让你去找一个工作，而此时的你因为恐惧早已无法正常做成任何事情。他们用宗教、电视和性对你洗脑控制，直到你自认为自己很聪明、很自由、意识不到你和他们阶级不同，但是本质上你还是他妈的一个草民。是的，你的头顶还有许多上升空间，如果你想跻身上层阶级，你要学会一边杀人一边微笑。一个真正的工人阶级英雄是什么样的，如果你想成为英雄就和我一起干吧！在这首歌里，列侬的革命领袖精神彻底绽放。我们生活的世界究竟是怎样的？即使我们有了选票，就代表我们是这个社会的主人了吗？错！这是他们的世界，我们是他们的资源，他们付给我们钱，我们送给他们世界。All in all you're just another brick in the wall ！《我们身处的谎言世界》 - 腾讯视频https://v.qq.com/x/page/e01583aopdk.html除了这一切的外部挣扎，列侬最原始的伤痛来自他的家庭和童年，父亲的背叛，母亲的早逝为列侬一生的愤怒和无助埋下了伏笔了，在Mother中的撕心裂肺地呐喊“妈妈别走！爸爸回家！”，在My Mummy‘s Dead中淡淡地忧伤吟唱“我妈妈死了，我永远无法释怀。”在内外的多重重压下，好在列侬还有爱情。在Look at Me中，他重新用了披头士白色专辑时期歌曲Julia的编曲，Julia是他母亲的名字，然而他在歌中反复吟唱“Ocean Child”，即洋子，幼年丧母的列侬把亲情和爱情都托付在了洋子一个人身上。Love是一首简洁而又优美的情诗，制作人Phil Spector弹奏了钢琴，列侬温柔地唱到“爱就是你，你和我”，罗大佑的《爱的箴言》也许是受到列侬这首的启发，同样是一首钢琴架构淡然悠远的情诗。在一切之后，列侬对自己和爱人还有全世界唱了这首Hold On，“坚持住，一切都会好起来，我们终将见到曙光，我们会实现那些看似遥远的理想，我们终将胜利，所以，坚持住！”一年后，约翰·列侬创作了那首永远激励无数人的理想国国歌Imagine。在世界支离破碎后，他依然坚信：“You may say that I'm a dreamer, But I'm not the only one. I hope someday you'll join us, And the world will live as one.”Imagine-John Lennon - 腾讯视频https://v.qq.com/x/page/r0128znwaeu.html在MV中，约翰和洋子穿过浓雾弥漫的幽暗山谷，走进一个洁白的房间。在空旷的房间的角落，约翰坐在一座洁白的钢琴前，自弹自唱，洋子拉开一扇扇窗帘，光，照射了进来，圣洁无瑕。Leonard Cohen在Anthem中写道：“There is a crack in everything, That's how the light gets in. ” 每一件事物都不是完美的，都有裂痕，而正因为这些裂痕，光才可以照射进来，爱才可以把他们填充。爱是宇宙间同行的语言。列侬夫妇没有停止战斗，接下来他们走上街头，和广大人民汇合，继续为争取和平而斗争。在1972年，尼克松政府对他们下了驱逐令，开始公开迫害列侬夫妇，此时列侬夫妇和美国政府的对抗达到了巅峰。1975年，越南战争终于结束，同年约翰和洋子的爱情结晶Sean诞生，恰好和他的父亲同一天生日。列侬宣布退出歌坛成为一名全职奶爸。1976年，终于成为了正式的美国公民。1980年，列侬决定重出江湖。12月8日晚上10:50，从录音室走出的他决定先回家和儿子道晚安再去吃夜宵，然而却在他家公寓楼下被一个狂热歌迷射杀，永远停在了40岁。纽约市中央公园在列侬曾经居住的公寓对面的地方开辟了一个小广场，并且以列侬的故乡利物浦的一片花园和他后来为之创作的歌曲Strawberry Fields Forever命名：Strawberry Fields。在美洲榆树掩映之下，有一个由来自庞贝的马赛克组成的黑白相间的圆形地面，圆面中间镶嵌着“IMAGINE”的字样。每天来自世界各地的人们都会在这里停下来小憩一下，或献花，或拍照留念，或坐下来听流浪歌手演唱列侬和披头士的歌曲，来追忆伟大的约翰·列侬。音乐界为列侬创作了许多首作品缅怀这位伟大的先驱者和导师。他的文字音乐和思想启迪了无数各行各业的理想主义者，继续为世界大同奋斗终生。小野洋子这样描述她一辈子的爱人同志：“He was my lover. He was my partner. He was an old soldier who fought with me.”即将84岁的她在2013年的专辑里唱道“There's no goodbye between us.”下面是多年前的一个12月8日，疯狂热爱列侬和披头士的我为他写的一首矫情的挽歌。其中的“Christian”应该是“Christianity”。That cold night bullets set you free, free as a birdAfter Yoko told you forty years' hard time was overYou always told us to give peace a chanceHowever peace seldom happened in your lifeThey hated you cause you are talentedThey hurted you cause you are differentThey cursed you when you were popular than ChristianThey despised you when you married an Asian womanBut you still told them love is all we needYou warned us life is easy with eyes closedYou advised the government to give power to the peopleYou demonstrated to the mankind to make love not warPools of sorrow, we find strength and identity from your lyricsWave of joy, we share spirits and happiness in your melodyThank you for showing me how to be myself fully and fearlesslyThank you for teaching me how to love with purity and dignity Now we've grown up, should we still believe in your fairy talesOr should we bow down on our knees to this crazy world Should we live with your limitless undying loveOr should we let darkness swallow the earthHas anyone told you, JohnYou're too innocent a boy to live on this cruel worldCan you tell me, JohnAre we leaving or coming closer to your Nutopian land I know you perhaps laugh and say"It's easy if you try."How to survive in this unbalanced worldAlways keep love and hope on your shouldersWe miss you, JohnnyYou are already not the only oneWe need you, JohnnyThe world would be a better place if you were here如果你今天还在的话，会变成什么样子呢？会不会变成一个满头银发但目光依然锐利的智者一般的老爷子呢？如果你今天还在的话，会怎样评价我们这个疯狂的世界呢？这一切是不是让你很失望？前路漫漫啊，有时候我们失去了继续坚持下去的勇气，也许你会笑着说：“你们的挫折比起我们当时遇到的算什么呢？It's easy if you try, try harder next time!”别了，约翰·列侬，36年。此外，今天还是一场火灾的22周年纪念日。感谢 @诗蔻迪邀请==本文同步发布于微信公众号 Johnniscography 2016年12月8日==--下边是2017年新款的二维码也是写作预告欢迎关注--编辑于 2016-12-13 12:48赞同 132652 条评论分享收藏喜欢收起知乎用户很有才，很脆弱，性格残缺，有恋母情结。据流言称列侬曾直接叫洋子mom，我认为太夸张。但列侬确实很依赖洋子，印象中保罗说曾经一段时间里列侬和洋子形影不离，哪怕去录音棚列侬都要带着洋子，听取意见。他还是一个很有艺术家脾气的人，喜欢向媒体透露自己的丑闻来炒作，颇有个性。他对政治和社会运动抱有兴趣，这一点加深了他和保罗的分歧。他还对前卫艺术有关注，佐杜洛夫斯基的圣山就是他投资的。他在学校里的成绩和表现并不好，后来还自称他毁了自己的死党的前途（不好好学习）。辛西娅后来透露他还曾经打过她，但她理解，当时列侬年轻气盛，出于误会着急的动了手，事后他也不断道歉。辛西娅怀上朱利安后，列侬决定和她结婚，在巡演时也会给朱利安写很多信寄回。但整体来讲，列侬本身称不上是一个称职父亲和丈夫。他对辛西娅缺少耐心，也不尊重她，也不忠诚她，甚至打过她。离婚时还倒打一耙说本来她在印度时也想通奸。后来列侬对朱利安也表示过歉意，希望未来能与他修复关系。但那一天还没到，他就死了。他一直很羡慕滚石的坏小子形象，他经常抱怨披头士的乖宝宝人设，他们在汉堡演出时酒吧环境极乱，有一次他受到挑衅，直接扔了刀子立在台下观众。结果回英国后摇身一变，戴着蘑菇头假发，穿着西装开始演出，他受不了。偶尔又开始嘲笑残疾人，模仿他们的动作。他应该不懂前卫艺术，但确实是披头士四人里天赋最高，水平最高，视野最敏锐的一个。他的塑胶洋子乐队实乃摇滚史上的不朽杰作。哪怕是放在一柳慧，牛心上尉，风笛手一起也毫不逊色。他的词，写的极为质朴，能听出他对洋子是真心依赖着。他对印度拉格感兴趣，也是除乔治以外唯一一位被印度音乐吸引的人。他的私生活混乱，还曾在楼上差点因为吸毒过量而死。据说有一次他喝醉后曾痛哭流涕，希望能有一个人能帮帮他，当然很多人都是这样。我认为他也不懂爱与和平，社运这些词汇。只是洋子这样说，他就这样做了。他对政治的理解可能停留在兴趣的层面。他对社会运动的理解孩子气偏重。硬要我说，我个人认为他呼吁爱与和平这些口号的原因，5%是真心关注，25%是炒作，70%是审美化，也就是他沉浸在二人世界中，而这个世界是童话式的。床上和平，反战，imagine等与其说是真的争取和平，不如说他是想表达他爱洋子，炫耀他和洋子的亲密程度。或者说他爱世界是想间接表达他爱洋子，诸如我们的爱能改变世界这类老套台词。我完全不信他有多在乎世界和平，这跟辛西娅无关，而是他从来没想过离开二人世界。那些走到遗址处举他头像牌子的人们也未必真心为和平，他们往往表情很做作，哭起来做作的更厉害。因为列侬和嬉皮士是同时代人，如今嬉皮士已死，后人模仿不出来他们那种感觉。60年代末，他应该是对披头士感到厌倦了，他可能不喜欢披头士的音乐，虽然乐队的获奖新闻报道他也会剪下来贴在墙上。但他更希望能通过乐队解散去宣传塑胶洋子乐队其实披头士这三个人的性子从一开始就都显露出来了。在汉堡时，一个女记者采访他们四个，保罗非常热情得体的应对，列侬则说了句你好后便面无表情，不再说话。这两个人是不可能走到一块的，保罗向往上层社会，希望能成为贵族。为了讨好上流人士还公开发表过赞美君主立宪制的演讲。他不愿意撕破脸，也是四人里唯一不希望乐队解散的人。保罗对披头士的定位是流行的，受欢迎的软乐队。列侬是完全反过来，他给披头士的定位是政治的，参与抗议运动的硬乐队。这一点在白砖里体现的最深。如果不是乔治当和事佬，披头士不可能维持10年。乐队解散后乔治曾跟列侬合作过，列侬很愉快，说如果有机会我们可以组一只新乐队，叫上林戈。但不能有保罗最后想说一下小野洋子，她的Plastic Ono Band是有水平的，跟列侬做的双方互相大喊对方名字的想法也很有意思。至少比pf的原子心之母强太多了。但是后期水准大降。其实不如一柳慧老老实实的做东方主义式的音乐实验。切片很有趣，但是她的音乐一般，属于普通的实验作品。一柳要强过她不少。之前和知友讨论过这二人，观点也大差不差。她算是一个在激浪派中留下身影，中规中矩的音乐家。说她破坏了披头士关系纯属无稽之谈，而且这种观点隐约有她是艺术骗子的意思。小野洋子的水平当然不够，但她是一位货真价实的艺术家是没问题的，也许有口角冲突，列侬死后她又干了很多事情，但他们的恩怨情仇我早已不关心，毕竟我早就不再听披头士了，他们对我来说只是一段追星回忆编辑于 2024-02-07 14:40赞同 50544 条评论分享收藏喜欢

John Lennon - Songs, Wife & Death

Lennon - Songs, Wife & DeathSearchWomen’s HistoryHistory & CultureMusiciansMovies & TVAthletesArtistsPower & PoliticsBusinessScholars & EducatorsScientistsActivistsNotorious FiguresBIO BuysNewsletterPrivacy NoticeTerms Of UseSkip to ContentWomen’s HistoryMusiciansMovies & TVAthletesNewsletterFamous MusiciansFamous British PeopleJohn LennonJohn LennonFamed singer-songwriter John Lennon founded the Beatles, a band that impacted the popular music scene like no other.Updated: Apr 14, 2021Photo: Ron Howard/Redferns//Getty Images(1940-1980)Who Was John Lennon?Musician John Lennon met Paul McCartney in 1957 and invited McCartney to join his music group. They eventually formed the most successful songwriting partnership in musical history. Lennon left the Beatles in 1969, and later released albums with his wife, Yoko Ono, among others. On December 8, 1980, he was killed by a crazed fan named Mark David Chapman.Early LifeJohn Winston Lennon was born on October 9, 1940, in Liverpool, Merseyside, England, during a German air raid in World War II.When he was four years old, Lennon's parents separated and he ended up living with his Aunt Mimi. Lennon's father was a merchant seaman. He was not present at his son's birth and did not see a lot of his son when he was young.Lennon's mother, Julia, remarried but visited him and Mimi regularly. She taught Lennon how to play the banjo and the piano and purchased his first guitar. Lennon was devastated when Julia was fatally struck by a car driven by an off-duty police officer in July 1958. Her death was one of the most traumatic events in his life.As a child, Lennon was a prankster and he enjoyed getting into trouble. As a boy and young adult, he enjoyed drawing grotesque figures and cripples. Lennon's school master thought that he could go to an art school for college since he did not get good grades in school but had artistic talent.Forming the BeatlesElvis Presley's explosion onto the rock music scene inspired a 16-year-old Lennon to create the skiffle band called the Quarry Men, named after his school. Lennon met Paul McCartney at a church fete on July 6, 1957. He soon invited McCartney to join the group, and the two eventually formed one of the most successful songwriting partnerships in musical history.McCartney introduced George Harrison to Lennon the following year, and Harrison and art college buddy Stuart Sutcliffe also joined Lennon's band. Always in need of a drummer, the group finally settled on Pete Best in 1960.The first recording they made was Buddy Holly's "That'll Be the Day" in 1958. In fact, it was Holly's group, the Crickets, that inspired the band to change its name. Lennon would later joke that he had a vision when he was 12 years old — a man appeared on a flaming pie and said unto them, "From this day on, you are Beatles with an 'A.'"The Beatles were discovered by Brian Epstein in 1961 at Liverpool's Cavern Club, where they were performing on a regular basis. As their new manager, Epstein secured a record contract with EMI. With a new drummer, Ringo Starr (Richard Starkey), and George Martin as a producer, the group released their first single, "Love Me Do," in October 1962. It peaked on the British charts at No. 17.Lennon wrote the group's follow-up single, "Please Please Me," inspired primarily by Roy Orbison, but also fed by Lennon's infatuation with the pun in Bing Crosby's famous lyrics, "Oh, please, lend your little ears to my pleas," from the song "Please." The Beatles' "Please Please Me" topped the charts in Britain. The Beatles went on to become the most popular band in Britain with the release of such mega-hits as "She Loves You" and "I Want To Hold Your Hand."Lennon married Cynthia Powell in August 1962. The couple had one son together, Julian, who was named after Lennon's mother. Cynthia was forced to keep a very low profile during Beatlemania. She and Lennon divorced in 1968. He remarried the following year, on March 20, 1969, to Japanese avant-garde artist Yoko Ono, whom he had met at the Indica Gallery in November 1966.BeatlemaniaIn 1964, the Beatles became the first British band to break out big in the United States, beginning with their appearance on television's The Ed Sullivan Show on February 9, 1964. Beatlemania launched a "British Invasion" of rock bands in the United States that also included the Rolling Stones and the Kinks. Following their appearance on Sullivan, the Beatles returned to Britain to film their first film, A Hard Day's Night (1964), and prepare for their first world tour.The Beatles' second film, Help!, was released in 1965. That June, Queen Elizabeth II announced that the Beatles would be named a Member of the Order of the British Empire. In August 1965, the foursome performed to 55,600 fans at New York's Shea Stadium, setting a new record for largest concert audience in musical history. When the Beatles returned to England, they recorded the breakthrough album Rubber Soul (1965), noted for extending beyond the love songs and pop formulas for which the band was previously well-known.The magic of Beatlemania had begun to lose its appeal by 1966. The band members' lives were put in danger when they were accused of snubbing the presidential family in the Philippines. Then, Lennon's remark that the band was "more popular than Jesus now" incited denunciations and Beatles record bonfires in the U.S. Bible belt. The Beatles gave up touring after an August 29, 1966, concert at San Francisco's Candlestick Park.After an extended break, the band returned to the studio to expand their experimental sound with drug-influenced exotic instrumentation/lyrics and tape abstractions. The first sample was the single "Penny Lane/Strawberry Fields Forever," followed by the album Sgt. Pepper's Lonely Hearts Club Band (1967), considered by many to be the greatest rock project in musical history.The Beatles Break UpThe Beatles then suffered a huge blow when Epstein died of an accidental overdose of sleeping pills on August 27, 1967. Shaken by Epstein's death, the Beatles retrenched under McCartney's leadership in the fall and filmed Magical Mystery Tour. While the film was panned by critics, the soundtrack album contained Lennon's "I Am The Walrus," the group's most cryptic work yet.Magical Mystery Tour failed to achieve much commercial success, and the Beatles retreated into Transcendental Meditation and the Maharishi Mahesh Yogi, which took them to India for two months in early 1968. Their next effort, Apple Corps Ltd., was plagued by mismanagement. That July, the group faced its last notably hysterical crowd at the premiere of their film Yellow Submarine. In November 1968, the Beatles' double-album The Beatles (also known as The White Album) displayed their divergent directions.By this time, Lennon's artist partnership with second wife Ono had begun to cause serious tensions within the group. Lennon and Ono invented a form of peace protest by staying in bed while being filmed and interviewed, and their single "Give Peace a Chance" (1969), recorded under the name "the Plastic Ono Band," became a national anthem of sorts for pacifists.Lennon left the Beatles in September 1969, just after the group completed recording Abbey Road. The news of the break-up was kept secret until McCartney announced his departure in April 1970, a month before the band released Let It Be, recorded just before Abbey Road.Solo Career: 'Imagine' AlbumNot long after the Beatles broke up, in 1970, Lennon released his debut solo album, John Lennon/Plastic Ono Band, featuring a raw, minimalist sound that followed "primal-scream" therapy. He followed that project with 1971's Imagine, the most commercially successful and critically acclaimed of all Lennon's post-Beatles efforts. The title track was later named No. 3 on Rolling Stone magazine's "All-Time Best Songs" list.Peace and love, however, was not always on Lennon's agenda. Imagine also included the track "How Do You Sleep?," a vehement response to veiled messages at Lennon in some of McCartney's solo recordings. The friends and former songwriting duo later buried the hatchet, but never formally worked together again.Lennon and Ono moved to the United States in September 1971, but were constantly threatened with deportation by the Nixon Administration. Lennon was told that he was being kicked out of the country due to his 1968 marijuana conviction in Britain, but the singer believed that he was being removed because of his activism against the unpopular Vietnam War. Documents later proved him correct. (Two years after Nixon resigned, in 1976, Lennon was granted permanent U.S. residency.)In 1972, while battling to stay in America, Lennon performed at Madison Square Garden in New York City to benefit mentally handicapped children and continued to promote peace. His immigration battle took a toll on Lennon's marriage, and in the fall of 1973, he and Ono separated. Lennon went to Los Angeles, California, where he partied and took a mistress, May Pang. He still managed to release hit albums, including Mind Games (1973), Walls and Bridges (1974) and Rock 'n' Roll (1975). During this time, Lennon famously collaborated with David Bowie and Elton John.Lennon and Ono reconciled in 1974, and she gave birth to their only child, a son named Sean, on Lennon's 35th birthday (October 9, 1975). Shortly thereafter, Lennon decided to leave the music business to focus on being a father and husband.Tragic DeathIn 1980, Lennon returned to the music world with the album Double Fantasy, featuring the hit single "(Just Like) Starting Over." Tragically, just a few weeks after the album's release, Mark David Chapman, a deranged fan, shot Lennon several times in front of his apartment complex in New York City. Lennon died at New York City's Roosevelt Hospital on December 8, 1980, at the age of 40.Lennon's assassination had, and continues to have, a profound impact on pop culture. Following the tragic event, millions of fans worldwide mourned as record sales soared. And Lennon's untimely death still evokes deep sadness around the globe today, as he continues to be admired by new generations of fans. Lennon was posthumously inducted into the Songwriters Hall of Fame in 1987, and the Rock and Roll Hall of Fame in 1994.QUICK FACTSName: John LennonBirth Year: 1940Birth date: October 9, 1940Birth City: Liverpool, Merseyside, EnglandBirth Country: United KingdomGender: MaleBest Known For: Famed singer-songwriter John Lennon founded the Beatles, a band that impacted the popular music scene like no other.IndustriesPopAstrological Sign: LibraSchoolsQuarry Bank High SchoolLiverpool College of ArtDeath Year: 1980Death date: December 8, 1980Death State: New YorkDeath City: New YorkDeath Country: United StatesFact CheckWe strive for accuracy and fairness.If you see something that doesn't look right,contact us!CITATION INFORMATIONArticle Title: John Lennon BiographyAuthor: Biography.com EditorsWebsite Name: The Biography.com websiteUrl: https://www.biography.com/musicians/john-lennonAccess Date: Publisher: A&E; Television NetworksLast Updated: April 14, 2021Original Published Date: April 3, 2014QUOTESIf someone thinks that peace and love are just a cliché that should have been left behind in the '60s, that's a problem. Peace and love are eternal.The more that I see, the less that I know for sure.All you need is love.There is nothing conceptually better than rock.We're all responsible for war ... we all must do something, no matter what.The thing the '60s did was to show us the possibilities and the responsibility that we all had. It wasn't the answer. It just gave us a glimpse of the possibility.If there is such a thing as genius, I am one. And if there's not, I don't care.I don't know which will go first, rock 'n' roll or Christianity.What we got to do is keep hope alive. Because without it we'll sink.You either get tired fighting for peace, or you die.Declare it—just the same way we declare war. That is how we will have peace ... we just need to declare it.Reality leaves a lot to the imagination.Let it be. Whisper words of wisdom. Let it be.As usual, there is a great woman behind every idiot.Life is what happens when you are busy making other plans.We're more popular than Jesus now.Advertisement - Continue Reading BelowFamous British PeopleJane GoodallPrincess Kate Is Seen for First Time Since SurgeryAdeleKing Charles IIIAdvertisement - Continue Reading BelowHoward Carter, King Tut's Tomb, and a Deadly CurseKensington Palace Shares an Update on KateChristopher NolanWho’s Who in the British Line of SuccessionKate Middleton, Princess of WalesElton JohnHelen MirrenEmily BluntAdvertisement - Continue Reading BelowAbout Biography.comNewsletterContact UsOther Hearst SubscriptionsA Part of Hearst Digital MediaWe may earn commission from links on this page, but we only recommend products we back.©2024 Hearst Magazine Media, Inc. Site contains certain content that is owned A&E Television Networks, LLC. All Rights Reserved. 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约翰·列侬（John Lennon） - 知乎

约翰·列侬（John Lennon） - 知乎首页知乎知学堂发现等你来答切换模式登录/注册约翰·列侬（John Lennon）约翰·温斯顿·列侬（John Winston Lennon，1940年10月9日—1980年12月8日），1940年出生于英国利物浦，英国摇滚乐队“披头士”成员，摇滚音乐家，诗人，社会活动家。 1…查看全部内容关注话题管理分享百科讨论精华视频等待回答详细内容早年经历约翰·温斯顿·列侬1940年10月9日午后6点30分出生于英国利物浦一个工人阶层家庭里。列侬的父亲在小列侬只有三岁时就抛弃了妻子和儿子，因此，列侬很小的时候就不得不寄宿在位于沃尔顿郊区的姨母家里。[1]列侬的父亲Alfred Lennon常常出海，而且一出发就失去连络，他的母亲Julia觉得不能照顾好列侬，因此送他去和他的伯母咪咪及叔叔乔治同住。可能是由于失去了父亲的缘故，列侬在伯母家一直是一个很不听话而且反抗性格极强的孩子。他经常逃学，也不好好做作业而是在作业本上乱写乱画。演艺经历约翰·列侬1952年9月，列侬进入Quarry Bank初级中学，列侬进入Quarry Bank之后，于1955年初在学校里组织了一个摇滚乐队“the Quarrymen”（采石工人），唱所有的游行歌曲，它正是披头士乐队的前身。列侬一直担任乐队的主要歌手和词作者。1956年，16岁的列侬所在中学的校长为他写了一封推荐信，他前往利物浦的艺术学校学习。1960年，列侬组建了他的“披头士”。并开始在各地的俱乐部演出。第一支单曲《Please Please Me》诞生。1961年底，列侬和他的The Beatles碰到了布莱恩·爱普斯坦。1962年5月，披头士正式与伦敦EMI旗下的一家小公司Parlophone签下录音合同。自此，开始了以披头士为主角的摇滚乐“不列颠入侵”。20世纪60年代中期，列侬成为乐队中第一个吸毒的人，他还鼓励其他人和他一样学习瑜伽。1968年，披头士乐队成功发行了“白金唱片”的“The Beatles（White Album）”之后，列侬与小野洋子还发行了他们共同创作的唱片《两个处子》（Two Virgins）。由于其封面是列侬与洋子的裸照，因此很多音像商店都禁止出售这张唱片。1969年4月开始录制，9月26日在英发行的专辑《Abbey Road》（修道院之路），引起乐队成员的分歧，约翰和保罗纷纷指责对方的妻子过分介入乐队的事务，从而引发口角乃至起诉。两个月后，麦卡特尼在发行自己的第一支单曲的同时正式宣布披头士乐队解散。1969年5月，列侬与小野洋子回到英格兰，但不久洋子就流了产，后来类似的情况又发生过几次。为了摆脱失去孩子的痛苦，列侬与洋子在极短的时间内录制了两张唱片，其中一张名为“婚姻金曲（Wedding Album）”，其B面全都是列侬与洋子相互叫喊对方名字的叫嚷声。1969年夏天，列侬还与洋子一起前往加拿大多伦多参加9月份举行的一次摇滚音乐节。1970年4月披头士解散了，1970年是约翰列侬离开乐队的第一年，他在这一年发行了第一张个人专辑《Plastic Ono Band》，专辑中收录了《Mother》、《God》、《Love》、《Isolation》。约翰·列侬1970年2月，他创作的“Instant Karma”成为当年的十大歌曲之一。后来，列侬创作了好几首表达自己愤怒之情的歌曲，而麦卡特尼也予以还击，在1970至1973年中，两人的歌战从未停息，后来麦卡特尼以歌曲Let Me Roll It作为这一切的结束，并再次拜访列侬的家，两人和好如初。1971年，列侬与洋子春天时移居美国纽约。秋天，列侬发行了他的单曲《Imagine》，该乐曲涉及到了他个人的一些问题以及一些政治问题。10月，他为《Imagine》补充发行的选集。列侬对政客们的仇视也在这张专辑里的《Gimme Some Truth》里表现了出来，形象的表现出了当时政治家的形象，这首歌也被视为了列侬的一首名曲。12月，一首圣诞单曲《Happy Christmas(War Is Over）》发行。 1972年他发行了专辑《some time in new york city》，专辑中包含的数首政治色彩强烈的歌曲是列侬在与激进分子联系最密切的时期创作的。《Luck Of The Irish》就是一个典型的例子，表面看起来歌曲轻快，但歌词里面包含了严苛的评论。这张专辑表现出反抗精神最强烈的是另一首被列侬称为“Woman Is The Nigger Of The World”的歌曲。但这张专辑也成为了列侬生前反响最差的专辑。在1973年他又推出了专辑《Mind Games》和上一张专辑一样，并未大获成功，这张专辑揭示了他与小野洋子之间存在的问题，事实上他与洋子分居了1年多，而此时他又与美国政府产生了纠纷，美国政府试图将他驱逐出境，而越战的结束也让他从人们视线焦点之中淡出。列侬受到打击，在将近一年的时间都没有进行音乐创作。在后来的两年内，列侬染上了很重的毒瘾，并经常出入上流社会的晚宴和夜总会等场所。在这期间，列侬与艾顿·约翰相识并成为好朋友，创作了多首歌曲。接下来的几年，他登上了飞机开始对抗遣返及争取绿卡的活动。1972年年初，由于美国移民局以1968年列侬因持有大麻被定罪拒绝为他颁发工作许可证，列侬开始了与美国移民机构的斗争。他与纽约当地的激进乐团共同创作了一些纯属政治作品的歌曲，这些歌曲无论是从商业还是从艺术角度而言都没有获得成功。1973年，美国移民局下令要求列侬离开美国，但遭到了他的拒绝。1974年感恩节的夜晚，列侬与艾顿·约翰一同出现在纽约麦迪逊花园广场为观众献艺，但这次的公开亮相却成为列侬一生当中最后的公开表演之一，他演唱了披头士第一张专辑《Please Please Me》中的第一首歌曲，保罗·麦卡特尼创作的I Saw Her Standing There。1975年，列侬的孩子出世，从此他潜心在家养子。1975年年底，列侬在艾顿·约翰的帮助下与洋子之间的分歧有所缓和，10月美国一家上诉法院推翻了此前美国移民局要求列侬离开美国的命令。1976年，列侬的倒数第二张专辑，封面选用了披头士时期的照片，歌曲都是经典翻唱，名字也很简单《Rock 'n'Roll Music》。1980年年初，在将孩子Sean抚养大后，列侬宣布复出乐坛并签署了新的歌曲创作合同。8月，沉寂了多年的列侬与妻子开始录制他们的专辑《双重梦幻》（Double Fantas y）》，该唱片于当年11月正式发行。1980年12月8日晚10点49分，列侬被一名歌迷射倒在达科塔大厦门前。凶手查普曼在凶杀现场被逮捕，后被判处终监禁，并且在2000年以前不得假释。12月9日，小野洋子宣布，”列侬不会有葬礼，他爱着大家，爱着人类，希望你们也爱他“ 12月14日，全世界数百万歌迷们在美国东部时间下午两点参加了为了列侬而进行的十分钟的默哀。个人生活1963年8月23日，列侬和辛西娅结婚，并在1963年4月8日生下他们的儿子朱利安。 [4] 2015年4月1日，辛西娅·列侬在西班牙马洛卡的家中去世。 1969年春天，列侬与已怀有身孕的小野洋子一起前往欧洲“度蜜月”，并于3月20日在直布罗陀结婚。1976年，小野洋子再次怀上了身孕并于同年10月9日（这一天正好是列侬本人的生日）生下了孩子希恩。社会活动甲壳虫乐队在20世纪60年代末解散后，列侬与小野洋子曾进行了一系列先锋艺术探索。与此同时，他们在社会政治活动中还做出了一系列大胆行动，一时被美国政府列为不受欢迎的人。1969年3月，列侬与小野洋子在蒙特利尔度蜜月时有过床上和平行动（Bed－InForPeace）。这个行为艺术是为反对美国对越南的战争而创作的。小野洋子和列侬在荷兰阿姆斯特丹的一家旅馆的大床上整整7天不下床，接受各大媒体的采访和拍照。从那个时候开始，夫妇俩将反战和宣扬和平的理念融进他们的艺术创作中。1969年5月，校园反越战运动达到高峰。作为一个反越战主义者，列侬和小野洋子在阿姆斯特丹举行了“爱与和平”的静坐示威，向全世界呼吁“武力不会对和平有任何帮助：任何人都可以通过躺在床上一星期而获得和平。人物评价约翰·列侬格莱美博物馆的执行主管称约翰·列侬是“将自己的灵魂都毫无不留地展示了出来”。约翰·列侬也许是最善于将自己的音乐变成文化遗产的歌手，《Imagine》、《Working Class Hero》、《Give Peace A Chance》此类歌曲的效能已经远远超过音乐本身，而成为一种态度，一种主义的诠释。真实的约翰·列侬将他看到的写进歌曲，与歌迷们分享自己的快乐和悲伤，这种真实就如那位疯狂歌迷射向约翰·列侬的一枪那么历历在目。（网易评）理想主义的约翰·列侬总在刻画着美好的画面，他所服务的，是全人类。这也是为什么他在全世界都会有歌迷的原因，他的音乐无国界，其中传达的是普世精神。（网易评）其实约翰 - 列侬的个人风格比“披头士”更为美国化，像在《Mind Games》和《Walls And Bridges》两张专辑中就有不少低沉缓慢的、气氛伤感的民谣和乡村布鲁斯风格的作品，美国味很浓，“Old Dirt Road”、“Steel And Glass”、“Nobody Love You（When You 're Down And Out）”、“Aisusmasen（I'm Sorry）”、“I Know Know”都是很好的例子。其它如“Scared”这类迷幻味很浓的作品，也可以视为美国西海岸嬉皮士运动和迷幻摇滚影响的产物。约翰 - 列侬对作品内涵的重视要远胜于音乐风格形式上的开拓。（新浪评）[2]浏览量1107 万讨论量5494 帮助中心知乎隐私保护指引申请开通机构号联系我们举报中心涉未成年举报网络谣言举报涉企虚假举报更多关于知乎下载知乎知乎招聘知乎指南知乎协议更多京 ICP 证 110745 号 · 京 ICP 备 13052560 号 - 1 · 京公网安备 11010802020088 号 · 京网文[2022]2674-081 号 · 药品医疗器械网络信息服务备案（京）网药械信息备字（2022）第00334号 · 广播电视节目制作经营许可证:（京）字第06591号 · 服务热线：400-919-0001 · Investor Relations · © 2024 知乎北京智者天下科技有限公司版权所有 · 违法和不良信息举报：010-82716601 · 举报邮箱：jubao@zhihu.

About - John Lennon

t - John Lennon

Skip to contentJOHN LENNON.NewsAboutMusicBooksArtworksStoreJOHN LENNONJohn Lennon is arguably the greatest songwriter of his generation. As founder and leader of The Beatles and also as a solo artist, Lennon has won seven GRAMMY® Awards, including two Lifetime Achievement Awards, Five BRIT Awards including two Special Awards for Outstanding Contribution to Music, 21 NME Awards, 15 Ivor Novellos and an Oscar (Academy Award). He has been inducted into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame and has a star on the Hollywood Walk of Fame. In 2008, Rolling Stone ranked Lennon in the Top 5 of the magazine’s “100 Greatest Singers Of All Time” list. John Lennon and Yoko Ono at Butterfly Studios in New York City. August 1972. Photo by Bob Gruen ©1972 Bob GruenJOHN LENNONwritten by Anthony DeCurtis‘Gimme Some Truth’ appears on John Lennon’s 1971 album Imagine, and in a sense it serves as the aesthetic and ideological counterbalance of that album’s legendary title track. ‘Imagine’ evokes a utopian world in which our heightened consciousness would make everything that oppresses us wither away, ‘Gimme Some Truth’ looks our real troubled world square in the eye and demands answers right now. If one song floats like a feather on a piano melody as gentle as an evening breeze, the other rides a droning, distorted guitar line and a searing slide-guitar solo. If one vocal sounds as intimate as your good angel speaking to you from someplace inside your own mind, the other pins you against the wall, so impassioned that the singer can barely take the breaths he needs to spit out his lyrics.Those are two of the many sides of John Lennon, two expressions of the many truths that he came to know. These days we live in a world that to value an unthinking consistency above all other virtues. If you hold an opinion that contradicts something that you said twenty years before, it’s not assumed that you’ve simply matured or reconsidered your earlier views for perfectly good reasons. No, you’re a waffler, a hypocrite, a flip-flopper. People are not encouraged to ‘contain multitudes’, in Ralph Waldo Emerson’s immortal phrase. They are encouraged to be as small and one-dimensional as possible if they want to avoid controversy.Lennon did not see himself or his world in those terms. He thought of his songs as snapshots of what he was thinking and feeling at the moment of composition. He believed that the one quality his calling as an artist demanded of him was complete emotional and intellectual honesty. And from his earliest years, he had no interest in disguising what he had to say to bring it into conformity with what anyone else thought his ideas should be, or even with points of view he may have felt at one time himself. If he was true to the emotion that had given birth to the song, that was enough. John playing guitar Photo by Yoko Ono ©1970 Yoko Ono ‘I made the decision at sixteen or seventeen that what I did, I wanted everybody to see,’ Lennon explained in 1980. ‘I wasn’t going after the aestheticism or the monastery or the lone artist who supposedly doesn’t care what people think about his work. I care a lot whether people hate it or love it, because it’s part of me and it hurts me when they hate it, or hate me, and it’s pleasing when they like it. But, as many public figures have said, “The praise is never enough, and the criticism always bites deep.”’From his undying love of rock’n’roll to his songs of social consciousness, from his devotion to women and family, to his eventual understanding of the fragility of all our lives, Lennon devoted his genius to chronicling the unvarnished experiences of one man’s journey through life. Whatever truths he found, he shared, and they are embodied in his songs. Well beyond his own tragic end, and even our own lives, they are his unending gift to us, and to everyone who comes after. John and Sean Lennon playing frisbee, Japan, Summer 1977 Photo by Nishi F. Saimaru ©1977 Nishi F. Saimaru & Yoko Ono John and Julian Lennon, 1970 Photo by Richard DiLello ©1970 Richard DiLello For better or worse, very few things remained constant in John Lennon’s life. In his early years that was not his fault. His mother and father bolted unpredictably in and out of his life, and then his mother was killed in a car accident when he was seventeen. After that he trusted very few people, fearful that they would leave him, so that truly loving anyone was an enormous risk, until he fully settled into his marriage to Yoko Ono.But one love that lasted throughout Lennon’s life was rock’n’roll. In December of 1970, Lennon did the interviews with Jann Wenner of Rolling Stone that would eventually be published as the book Lennon Remembers. Having just undergone primal-scream therapy and completed his fiercely autobiographical Plastic Ono Band album, Lennon was subjecting every aspect of his life to unforgiving self-examination. Rock’n’roll, however, emerged unscathed. When Wenner asked him, ‘What do your personal tastes run to?’ Lennon replied, ‘“Wop-bop-a-loo-bop”, you know? I mean I like rock’n’roll, man, I – I don’t like much else… That’s the music that inspired me to play music. There’s nothing conceptually better than rock ’n’ roll. No group, be it Beatles, Dylan or Stones, has ever improved on ‘Whole Lotta Shakin’ (Goin’ On)’ for my money. Maybe I’m like our parents, that’s my period. I dig it and I’ll never leave it.’ It’s no surprise then that when Lennon attempted to communicate the depths of despair in his song ‘Yer Blues’, he sang, ‘Feel so suicidal, even hate my rock’n’roll’. From his standpoint, what could be worse than that?Earlier in that Rolling Stone interview, Lennon explained that ‘I only liked simple rock and nothing else.’ However, for Lennon, there was really nothing simple about rock’n’roll. For him, it was a style of music that got directly to the essence of things, without pretence or affectation. As ambitious as he became as an artist and activist, there was always part of him that grew impatient with overwrought complexity – whether embodied in the tangled, allusive lyrics of Bob Dylan; the semi-classical aspirations of George Martin (and Paul McCartney); or the endless realpolitik arguments of the best and brightest in government for why nations couldn’t achieve peace. Passport Photo, Self-Portrait, 1960 Photo by John Lennon ©1960 Yoko OnoA product of the tough port city of Liverpool, Lennon prided himself on his no-nonsense demeanour, and he eventually became a New Yorker, a breed not exactly known for restraint in their opinions. In interviews and conversations, when he encountered overly elaborate explanations, Lennon would start to wonder if he was being conned. He came to view obscurantist “literary” writing as a form of dishonesty, a means of shielding yourself from the consequences of just saying what you mean. If everything in a lyric was open to interpretation then you didn’t have to take responsibility for it. Apart from a brief psychedelic period in the mid-to-late Sixties, Lennon always strove for honesty and directness in his lyric writing. He inherited that standard from the rock’n’roll songs he grew up loving. They were the core of his musical DNA. ‘I remember the old rock songs better than I remember my own songs,’ Lennon said in a 1980 Interview. ‘If I sat down in a room and just started playing, if I had a guitar now and we were just hanging out singing, I would sing all the early and mid-Fifties stuff – Buddy Holly and all. I remember those. I don’t remember the chords or the lyrics or anything of the Beatles stuff. So my repertoire is that. I still go back to the stuff the Beatles performed before they wrote, you see. I would still enjoy doing it.’ Still from the 'Ten for Two Concert' footage, Crisler Arena, Ann Arbor, Michigan, December 10, 1971 ©1971 Yoko Ono Still from the 'One to One Concert' footage, Madison Square Garden, NYC, August 30, 1972 ©1972 Yoko Ono But simplicity was far from the only gift Lennon received from early rock’n’roll. Even if lyricists like Chuck Berry, Jerry Lee Lewis, Little Richard and Buddy Holly didn’t write lyrics that aspired to the sort of literary effects typical of the poetry Lennon might have read in school, they helped teach him about playfulness and a love of language purely for its own sake.Lennon loved children’s poems, fairy tales, Mother Goose rhymes and the zany nonsense literature of such writers as Edward Lear and Lewis Carroll. He read them voraciously as a child, and retained his fondness for them into adulthood. They are primary sources for the punwielding, wild and whirling words of his two splendid books of stories and drawings, In His Own Write (1964) and A Spaniard In The Works (1965). So no wonder Lennon answered ‘Wop-bop-a-loo-bop’ when Wenner asked him about his ‘personal tastes’. Songs like Gene Vincent’s ‘Be-Bop-A-Lula,’ Lee Dorsey’s ‘Ya Ya’ and Larry Williams’s ‘Bony Moronie’ all revel in silly rhymes, light-hearted neologisms, and childlike, sing-song syllables. It was music that seemed to Lennon at once innocent and rebellious. In their playfulness such songs evoked the freedom of childhood, and in their raucous rhythms and refusal of adult language and decorum they posed an implicit – and occasionally explicit – threat to the established order. That grown-ups not only mocked the music but tried to stamp it out only provided undeniable proof of its power. That was another lesson from the early days of rock’n’roll that Lennon never forgot.The insurgent force of rock’n’roll originated as adolescent rebellion – anything that kids did was good, anything adults did was bad. As bracing as it was, the culture surrounding the music even had a nihilistic strain. It was associated with juvenile delinquency, and an appetite for destruction. Teenagers became a social class of their own, and youth was not merely a chronological time period, but a state of mind and a set of values, even if that mostly consisted of rejecting the tepid conformity of Fifties post-war life. Rock’n’roll’s attitude was best summed by a line tossed off by Marton Brando in his role as Johnny Strabler, the leader of a motorcycle gang in the 1953 movie, ‘The Wild One’. When a girl asks him, “What are you rebelling against, Johnny?” Brando offhandedly replies, “Whaddya got?”Such scenes were thrilling and Lennon constructed much of his early identity on their basis. But as the Sixties counterculture began to take shape, and Lennon found himself as one of its leaders, it became evident to him that a more sophisticated approach to changing the world around him was necessary. At first the Beatles were encouraged by their handlers to avoid controversy at all costs, but their intelligence and desire to engage the issues confronting their generation finally made that patronising strategy impossible to sustain. Lennon’s insistence on speaking his mind, beginning with his correct observation in 1965 that the Beatles were ‘more popular than Jesus’, generated shockwaves, and he came to understand that if his words were going to have such an impact, he needed to learn how to use that power to advance the ideals he believed in. But first he needed to understand who he was, and that process of social, political and psychological self-discovery that makes such songs as ‘Working Class Hero,’ ‘God,’ ‘Isolation’ and ‘I Found Out’ absolutely gripping. Those songs all appear on John Lennon/Plastic Ono Band (1970), Lennon’s first solo album after leaving the Beatles. It’s an undeniable, acknowledged masterpiece, widely recognised as one of the greatest albums in the history of rock’n’roll. But even at that, its true significance is often not fully understood. John Lennon/Plastic Ono Band front and rear covers Among the album’s many sources, Lennon’s scarifying dive into the depths of himself in primal-scream therapy is the most obvious, which has lead to the album being heard almost exclusively in personal terms. But part of Lennon’s daring was his willingness to explore how social forces shaped him as fully as the terror of abandonment he experienced as a child. In the absence of more substantive options for forging an identity, accepting the chains that society provides seems like a worthwhile choice – or, as Lennon succinctly put it, ‘a working class hero is something to be.’ Still, Lennon’s songs didn’t simply indict “the Man” or “the system”, as so many protest songs did. Lyrics like ‘Keep you doped with religion, sex and TV/And you think you’re so clever and classless and free’ exploded the pretences of counterculture hipsters, and challenged them to question how “liberated” and free they really were. Of course, Lennon also understood that every movement needs its slogans, and he made use of and even coined some of the best of them. ‘Give Peace a Chance’ ‘Instant Karma! (We All Shine On)’, ‘Power to the People’ and the lovely ‘Happy Xmas (War Is Over)’ are all intentionally meant to preach to the progressive choir, to keep the spirits of activists up and their hopes high. But even those songs are often more complex than they are thought to be. The conviction that ‘War is over if you want it’ suggests that if war persists perhaps we have not sufficiently desired its end, or done enough to bring that end about. (Just this year Robert Randolph and the Family Band recorded a torrid cover of Lennon’s anguished ‘I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die’ about very different armed conflicts than the Vietnam War that Lennon had in mind. Similarly, ‘Instant Karma! (We All Shine On)’ is going to get friend and foe alike. If you want to “shine on” you need to make sure your actions keep you on the uplifting end of karma’s ever-turning wheel. Finally, ‘Imagine’, too, is not merely a pastel vision of a utopian world. It is a challenge and a responsibility, a sentiment akin to Mahatma Gandhi’s statement that ‘We need to be the change we wish to see in the world’. Imagine front cover Sometime in New York City (1972) is Lennon’s most overtly political album, and its opening track, ‘Woman Is The N***** Of The World,’ is one of its most compelling songs. Co-written with Yoko, It is perhaps the first feminist anthem recorded by a prominent male rock star, and it marks both the impact his marriage to Yoko had on his evolving political consciousness, but also the deepening of his own understanding of women’s role in the world – and in his life. John and Yoko use of the charged term ‘n*****’ in the song was both a provocation and a deft bit of political analysis and guerilla marketing. Comparing the political oppression of women to the plight of blacks, and using the most racially incendiary term in the language to underscore the connection, incited heated and necessary debate, as it was intended to. Some Time In New York City album cover Woman Is The N***** Of The World Single Sleeve Woman Is The N***** Of The World advertisement Lennon knew as well that no truth is absolute, and that the presence of love can excite our deepest fears. Many songs have been written about jealousy, but none match Lennon’s ‘Jealous Guy’ for insight and honesty. Declarations like ‘I was shivering inside,’ ‘I was swallowing my pain’ and ‘I began to lose control’ are rare in any style of popular music, let alone a delicate ballad. Lennon’s ability to plumb the depths of himself and state his fears so directly – with such a raw, eloquent beauty is one of his most profound gifts. Meanwhile, ‘I’m Losing You’ explores those feelings of desperation in a musical context that reflects those emotions rather than soothes them. And, as always, Lennon could be caustic. The fear of being abandoned and alone drives ‘Nobody Loves You (When You’re Down And Out)’, to its bitter conclusion: ‘I’ll scratch your back, and you knife mine.’ The serrated rhythms of ‘Well, Well, Well’ capture the mood of a couple – guess who – who are “nervous, feeling guilty” and talking about revolution ‘just like two liberals In the sun.’ Such moments of dread and self-doubt require the gentleness and encouragement of ‘Hold On’ – ‘hold on, John; hold on, Yoko; hold on, world: It’s gonna be all right.’ The hard-fought optimism that love provides, the rock-solid conviction that, however difficult the struggle, you’re not in it alone, leads to the sweetness of ‘Beautiful Boy (Darling Boy)’ – a paean to a true love child and the awareness, in one of Lennon’s most memorable lines, that ‘Life is what happens to you while you’re busy making other plans.’ That acceptance of the world and its inevitable changes is the ultimate gift of love. The inability to control life makes it more precious, because it requires knowledge of life’s evanescence, even as love has made life so much more desirable. Which is the beauty and poignancy of ‘Grow Old With Me’, Lennon’s lovely, deeply felt wish for a long life with Yoko. The song was inspired by Robert Browning’s poem ‘Rabbi Ben Ezra’, and replies to a song Yoko had written called ‘Let Me Count the Ways’, drawing on the well-known sonnet that begins ‘How do I love thee? Let me count the ways’ by Browning’s wife, Elizabeth Barrett. The nineteenth-century marriage of Robert and Elizabeth Barrett Browning is among the most moving love stories in literary history, and John and Yoko clearly identified with them. Among the many reasons why ‘Grow Old With Me’ is notable is how strongly it counteracts the rock’n’roll mythology of living fast and dying young. It is a hymn to longevity, to the possibility that love can deepen and grow, that romance never has to end. John & Yoko, Sperone Gallery, NYC, 1980 Photo by Allan Tannenbaum ©1980 Allan TannenbaumIn one of his final interviews, Lennon described the central aesthetic question of his and Yoko’s life this way. ‘In a way,’ he told the New York Times critic Robert Palmer, ‘we’re involved in a kind of experiment. Could the family be the inspiration of art, instead of drinking or drugs or whatever? I’m interested in finding that out.’While one of the innumerable tragedies of John Lennon’s death at the age of forty is that he never fully got the opportunity to answer that question, the fact that he asked it in the first place suggests that as far as he was concerned the ‘experiment’ he referred to had already reached an irrefutable conclusion. The life he had built with Yoko and their son Sean had provided plenty of material for great art. But as life became richer and more satisfying, its ephemeral nature became more apparent. When you’re experiencing so many moments that you wish would last forever, you are inevitably haunted by the awareness that they can’t. The solution, Lennon understood, was a calm awareness that we are all living on ‘Borrowed Time.’ That song’s gentle reggae lilt lightens the weight of its ideas, and captures the sense of wise acceptance that had increasingly come to be part of his world view. Lennon still lived his life with passion and intensity, still committed to his beliefs with conviction, but the anger that had been with him for so long had eased. Without question, there are many complex reasons for that welcome development, but the simplest reasons perhaps are the most determinative ones. He had settled into his marriage; he was enjoying fatherhood; he had come back refreshed to his music, and as he entered his forties, he had matured. He had discovered that many things could and should be important, but not everything had to be a matter of life or death. In short, he was happy. John, Yoko and Sean Lennon in their home at the Dakota apartment building, NYC, December 12, 1975 Photo by Bob Gruen ©1975 Bob Gruen Humour, always an under-appreciated aspect of Lennon’s music, was still very much a part of his new vision, hilariously, ‘Crippled Inside’ takes the serious theme of the lies of the world – and ourselves – to hide our vulnerabilities and fears, and sets it to a tinkly, honky-tonk beat. The song in that sense mirrors its subject – a cheerful surface genially concealing a scarier reality. Similarly, the jaunty ‘Nobody Told Me’ comments on the confusion of living in confounding times (‘Most peculiar, mama!’) with such panache that it remains perfectly relevant as a soundtrack for today. ‘Scared’ and, particularly, the hauntingly beautiful ‘How?’ address the internal version of such confusion and terror, with characteristic honesty. Perhaps Lennon’s greatest philosophical song is ‘Watching the Wheels’, which appears on Double Fantasy. It can be thought of as his explanation of his life to fans who had wondered what he’d been doing since 1975 when he had stopped making albums and devoted himself to his life with Yoko and Sean. ‘Ah, people asking questions, lost in confusion’ Lennon sings. ‘I tell them there’s no problems, only solutions.’ Given the tumultuous life he had lived to that point, that optimism was earned.Without being at all self-righteous, the song also has a strong spiritual undercurrent. The wheel, being a circle, is one of the oldest symbols of unity in human history. The karmic wheel, the mandala, the wheel of fortune all spin, and, as the song suggests, peace of mind comes from neither panicking nor growing complacent with their turnings. That is the state of mind Lennon had achieved by the end of his life.Acceptance is not necessarily passive. Lennon still believed the world could – be made a better place in both personal terms and for humanity at large. Speaking about Double Fantasy on the very day he was killed, Lennon describes himself as reconnecting with his audience in this way: ‘I’m saying “Here I am now, how are you? How’s your relationship going? Did you get through it all? Weren’t the Seventies a drag? Here we are, well, let’s try to make the Eighties good, because it’s still up to us to make what we can of it.”’ Double Fantasy album cover Watching The Wheels single cover The confluence of those crucial events had a decisive effect on the remaining years of Lennon’s life. For the next five years he would disappear from public life almost completely, devoting himself to raising Sean and re-immersing himself in his life with Ono. It was an unprecedented move for a rock star of his fame and stature, and he characteristically threw himself into it without reserve. When he re-emerged again in 1980 to do interviews for Double Fantasy, an album dedicated to the ideal of family and domestic bliss that he had embraced with Ono, Lennon delivered spontaneous lectures on feminism and the importance of sharing gender roles in relationships.When a reporter from Playboy asked if Lennon had been working on any ‘secret projects’ during this period, Lennon made it decidedly clear that his personal life was the only project he had been interested in – or had any time for. ‘Are you kidding?’ Lennon replied. ‘There were no secret projects going on in the basement. Because bread and babies, as every housewife knows, is a full-time job…And it is such a tremendous responsibility to see that the baby has the right amount of food and doesn’t overeat and gets the right amount of sleep. If I, as housemother, had not put him to sleep and made sure that he was in the bath by 7:30, no one else would have…Now I understand the frustration of those women because of all the work. And there is no gold watch at the end of the day.’As strong a personality as you could encounter even on his most cooperative day, Lennon couldn’t stand the idea that some people viewed him as passively under Ono’s spell. ‘Listen, if somebody’s gonna impress me, whether it be a Maharishi or a Yoko Ono, there comes a point when the emperor has no clothes,’ he insisted. ‘There comes a point where I will see. So for all you folks out there who think that I’m having the wool pulled over my eyes – well, that’s an insult to me. Not that you think less of Yoko, because that’s your problem; what I think of her is what counts! But if you think you know me or you have some part of me because of the music I’ve made, and then you think I’m being controlled like a dog on a leash because I do things with her, then screw you. Because – fuck you brother or sister, you don’t know what’s happening. I’m not here for you. I’m here for me and her and the baby!’ Heart Play - unfinished dialogue - rear cover detailFor John Lennon, the truth was not a fixed category, but a shifting one that took into account all of the factors that determine the circumstances of our lives. He lived by a code of honesty, of self-revelation, of the belief that the best songs he could write were the ones that communicated a clear picture of who he was at the moment of their creation. That process of speaking person-to-person is how the truth took shape for him. His life and his work were continual experiments in discovery and rediscovery. His values remained constant. What changed were the times, the ways in which those values could best be presented and transmitted, and the definition of those values given the current state of the world.Whether he was singing rock’n’roll songs or writing songs that captured how fragile our lives are, whether he was extolling the virtues of women or railing against the evils perpetrated by our governments, Lennon viewed his work as one rich story, one step on the journey to Creating a better world, one ongoing, never-ending search for truth.‘I always consider my work one piece…and I consider that my work won’t be finished until I’m dead and buried – and I hope that’s a long, long time,’ he said on the last day of his life. ‘So to me it’s part of one whole piece of work from the time I became public to now…And the eighties is like, we’ve got a new chance.’ Every decade, every new year, every day, every moment constitutes a ‘new chance.’ As Lennon sings in ‘Borrowed Time’, ‘Now I am older/The more that I see, the less that I know for sure/Now I am older/The future is brighter, and now is the hour.’ Now, and whenever anyone hears any of these songs. Written by Anthony DeCurtis Originally published in the John Lennon ‘Gimme Some Truth‘ 4 x CD Box Set TopSubscribe to email updates StoreCookiesPrivacy PolicyContact

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Skip to contentJOHN LENNON.NewsAboutMusicBooksArtworksStore View the trailer above. WAR IS OVER! Inspired by the Music of John & YokoThis Annie Award winning and Academy Award (OSCAR) Nominated film is an anti-war story by Sean Lennon and Dave Mullins that features John & Yoko's iconic anti-war holiday song 'Happy Xmas (War Is Over)'. Directed by Dave Mullins, produced by Brad Booker, exec produced by Yoko Ono Lennon and Sean Ono Lennon and created as a co-production of Lenono Music, ElectroLeague, WetaFX and Epic Games. Watch the full-length film at IFC Center, New York and in cinemas across the US and Canada. Find out more at warisover.com. News Today: Thursday 7th of March 2024 Since 1940 ‘WAR IS OVER!’ film wins Annie Award ‘Best Short Subject’ John Lennon Mind Games 4-Track EP for #RSD24 – 20 April 2024 GIVE PEACE A CHANCE The Art of John Lennon: Jan 12-22, Gallery 725, Jacksonville, FL John Lennon & Yoko Ono: Mind Games – new Thames and Hudson book → 24 Sept 2024 ‘WAR IS OVER!’ animated short film shortlisted for an Academy Award John Lennon’s art re-imagined. MIND GAMES The Ultimate Collection: 72 tracks, 6CDs, 2BluRays → July 2024. GIVE PEACE A CHANCE & REMEMBER LOVE The Beatles Red and Blue albums → Remixed and Expanded. Now And Then → Music Video. The Beatles ‘Now And Then’ → Out Now. ‘No need for greed or hunger’ → Support #Hungerthon 2023. Worn Free → Wear the Ts that John & Yoko wore. John Lennon → Official Store. John Lennon & Yoko Ono’s Two Virgins at 55: still telling naked truths. JOHN LENNON. GIMME SOME TRUTH. → THE ULTIMATE MIXES. JOHN LENNON/PLASTIC ONO BAND – THE ULTIMATE COLLECTION. DELUXE BOX SET. → Order Now. John Lennon → IMAGINE The Ultimate Collection. GIMME SOME TRUTH. → Limited Edition WHITEOUT Box Set for Record Store Day 2023 JOHN & YOKO / PLASTIC ONO BAND → definitive book about their Plastic Ono Band albums. Imagine John Yoko – definitive book about the making of Imagine. GIMME SOME TRUTH → replay Tim’s Twitter Listening Party. JOHN LENNON/PLASTIC ONO BAND → replay Tim’s Twitter Listening Party. IMAGINE (The Ultimate Mixes) → replay Tim’s Twitter Listening Party. Imagine film by John & Yoko → Restored, Remixed and Remastered. John Lennon on ‘The End of The Lost Weekend’. REVOLUTION: ‘Build Around It’ / ‘You better free your mind instead’ JOHN LENNON’S ROCKING CHAIR. → New Playlist on Spotify, Apple Music, Tidal & YouTube. Seeing as it’s Thanksgiving… PEACE AND LOVE FOR CHRISTMAS, Lyceum Ballroom, London, 15 Dec 1969. Listen to John LennonStreamingSpotify | Apple Music | YouTube Music | YouTube Videos Google Play Music | Amazon Music UK | Amazon Music USA Deezer | Tidal | Pandora | iHeartRadio Gaana | AnghamiDownload HD 24/96sHD Tracks | Hi-Res Audio | Qobuz | 7 Digital | WiMPDownload AACsMastered for iTunesDownload MP3sAmazon | Google PlayPurchase CDsAmazon Listen to John Lennon Playlists on SpotifyJohn Lennon with...Yoko Ono | The Beatles Paul McCartney | George Harrison | Ringo Starr Elton John | David Bowie | Harry Nilsson Klaus Voormann | Nicky Hopkins CompilationsTop 100 Favourites | The Best of John Lennon | Acoustic Songs | Collaborations Harmonica | IMAGINE PEACE TOWER | Interviews | Life Songs Love Songs | Protest Songs | Spiritual Songs | Rockers *NEW* John Lennon's Rocking Chair - 50 songs for relaxing/chilling/working. *NEW* John Lennon Cover Versions - John Lennon songs performed by other artists, chosen by fans on Social Media. TopSubscribe to email updates StoreCookiesPrivacy PolicyContact

约翰·列侬 John Lennon | 豆瓣音乐-艺术家

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约翰·列侬 John Lennon

生卒日期:

1940年10月09日至 1980年12月08日

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英国

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The Beatles

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百代唱片(EMI)/宝利多唱片/吉芬唱片/苹果唱片/Parlophone

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民谣/摇滚/迷幻摇滚/实验摇滚

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‎《Imagine》- John Lennon的专辑 - Apple Music

主页浏览广播搜索在“音乐”中打开 Imagine John Lennon 摇滚 · 1971年试听不论是虚无的空间还是记录已发生的故事，在 John Lennon 所 “想象” 的美好世界里，总是那么温馨而纯粹。专辑《Imagine》是这位前 The Beatles 乐队主唱的第二张个人专辑，与首张专辑中悲伤叹惋的情绪不同，Lennon 在这张专辑中带听客往返于现实与幻境之间，同名单曲《Imagine》对世界和平发出恳求，书写下无宗教与国籍界限，甚至无财产分化的想像，乌托邦式的向往令歌曲收获大批听者赞同的心声，成为 John Lennon 独唱生涯中最受欢迎的作品。一首《How？》教会听客如何在无奈与冗杂的现实中一同成长。专辑中的抒情部分如《Oh My Love》、《Oh Yoko!》则是对 Yoko Ono 的深情告白，以诗意的简单辞藻和重复的呼唤表达爱意与依赖。即使世界并非如你想像，不过 Lennon 的这张经典专辑还是想要告诉你——永远向往美好，永远心怀爱意. 1971年9月9日

9 首歌曲、36 分钟

℗ 2010 Calderstone Productions Limited (a division of Universal Music Group) 其他版本 Imagine (The Ultimate Mixes / Deluxe) 16 首歌曲 Imagine (The Ultimate Collection) 61 首歌曲 Imagine (The Raw Studio Mixes) 20 首歌曲 Imagine (The Out-takes / Deluxe) 16 首歌曲 Imagine (The Evolution Documentary) 16 首歌曲 Imagine (The Ultimate Mixes) 10 首歌曲 Imagine (The Elements Mixes) 10 首歌曲音乐视频 Jealous Guy John Lennon、 The Plastic Ono Band、 The Flux Fiddlers 更多John Lennon的作品 Double Fantasy (2010 Remaster) 1980年 John Lennon/Plastic Ono Band (The Ultimate Mixes) 1970年 Gimme Some Truth: The Ultimate Mixes (Deluxe Edition) 2020年 Mind Games 1973年 Double Fantasy: Stripped Down 2010年 Walls and Bridges 1974年 Rock 'N' Roll 1975年出现在以下内容中坐在书桌前 Apple Music 约翰·列侬代表作摇滚 1971 年摇滚金曲 Apple Music 经典摇滚日出 Apple Music 晨间时光 John Lennon：情歌精选摇滚休息一下 Apple Music 旧金山一日游 Apple Music 选择国家或地区非洲、中东和印度查看全部 Algeria Angola Armenia Azerbaijan Bahrain Benin Botswana Cameroun Cape Verde Chad Côte d’Ivoire Congo, The Democratic Republic Of The Egypt 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${tip}

${oktext}

${cctext}

${tip}

${oktext}

{if showSongText}${songTxt}{/if}

${tip}

{if typeof(oktext) != 'undefined'}${oktext}{/if}

{if typeof(cctext) != 'undefined'}${cctext}{/if}

${tip}

{if typeof(oktext) != 'undefined'}${oktext}{/if}

{if typeof(cctext) != 'undefined'}${cctext}{/if}

该资源为公益歌曲

捐赠任意金额（2~4999元）即可无限畅听下载

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QQ空间

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若30天内歌词未补充，积分将退还给您

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取消

原手机号已停用

(使用其他方式验证)

原手机号仍能使用

(使用手机验证码验证)

{if hasWx}

点击使用微信验证

{/if}

{if hasQQ}

点击使用QQ验证

{/if}

请填写以下安全问题的答案

问题：

回答：

账号或密码错误

上一步

下一步

－请选择－

deepin15（64位）

ubuntu18.04（64位）

您的系统为Windows 10，推荐下载UWP版

下载UWP版本

继续下载PC版本

{list options as o}

${o|filter}

{/list}

使用云音乐客户端

即可无限下载高品质音乐

Mac版V1.9.1

PC版V1.9.1

已安装PC版

扫描下载手机版

该资源为付费内容，扫描下方二维码，使用最新的安卓或iPhone版本购买后即可畅享

{var title=""}

{if artists && artists.length}

{list artists as x}

{if x}

{var title = title + x.name}

{if x_index < x_length - 1}

{var title = title + " / "}

{/if}

{/list}

{/if}

${escape(title)}

{if artists && artists.length}

{list artists as x}

{if !!x}

{if !!x.id}

${mark(escape(x.name))}

{else}

${mark(escape(x.name))}

{/if}

{if x_index < x_length - 1} / {/if}

{/if}

{/list}

{/if}

${comJST('com-mv-artists', artists, clazz, mark, boxClazz)}

{if x.userType==4}${before}${after}{elseif x.authStatus==1}${before}${after}{elseif (x.expertTags && x.expertTags.length>0) || !isEmptyObject(x.experts)}${before}${after}{/if}

{if loginUserProfile.avatarDetail&&loginUserProfile.avatarDetail.identityIconUrl}

{/if}

{if x.avatarDetail && x.avatarDetail.identityIconUrl}

{/if}

1/2

{list plist as item}

{/list}

{list beg..end as y}

{var x=xlist[y]}

${y+1}

{if type=='rank'}

{if x.lastRank>=0}

{if y-x.lastRank>0}

${y-x.lastRank}

{elseif y-x.lastRank==0}

{else}

${x.lastRank-y}

{/if}

{else}

{/if}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

${dur2time(x.duration/1000)}{if x.ftype==2}{/if}

{if canDel}

删除

{/if}

${getArtistName(x.artists, '', '', false, false, true)}

{if type=='dayRcmd'}

{if x.album}${x.album.name}{/if}

不感兴趣

{else}

{if x.album}

${soil(x.album.name)}

{/if}

{/list}

歌曲标题

时长

歌手

{list beg..end as y}

{var x=xlist[y]}

${y+1}

{if type=='rank'}

{if x.lastRank>=0}

{if y-x.lastRank>0}

${y-x.lastRank}

{elseif y-x.lastRank==0}

{else}

${x.lastRank-y}

{/if}

{else}

{/if}

{if x.privilege.fee == 1}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

{else}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

${dur2time(x.duration/1000)}{if x.ftype==2}{/if}

{if canDel}

删除

{/if}

${getArtistName(x.artists, '', '/', false, true, true)}

{/list}

{list beg..end as y}

{var x=xlist[y]}

${y+1}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

${dur2time(x.duration/1000)}{if x.ftype==2}{/if}

{if canDel}

删除

{/if}

{if x.album}

{var transName = x.album.tns && x.album.tns.length > 0 ? x.album.tns[0] : ''}

${soil(x.album.name)}

{if transName}

- (${transName|escape})

{/if}

{/list}

标题

时长

歌手

{list beg..end as y}

{var x=xlist[y]}

{if y<3}

${y+1}

{if x.lastRank>=0}

{if y-x.lastRank>0}

${y-x.lastRank}

{elseif y-x.lastRank==0}

{else}

${x.lastRank-y}

{/if}

{else}

{/if}

{if x.album}{/if}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

{else}

${y+1}

{if x.lastRank>=0}

{if y-x.lastRank>0}

${y-x.lastRank}

{elseif y-x.lastRank==0}

{else}

${x.lastRank-y}

{/if}

{else}

{/if}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

${dur2time(x.duration/1000)}{if x.ftype==2}{/if}

{if canDel}

删除

{/if}

${getArtistName(x.artists, '', '', false, false, true)}

{/list}

{list beg..end as y}

{var x=xlist[y]}

${y+1}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

${dur2time(x.duration/1000)}{if x.ftype==2}{/if}

{if canDel}

删除

{/if}

${getArtistName(x.artists, '', '', false, false, true)}

{if x.album}

${soil(x.album.name)}

{/if}

{/list}

{list beg..end as y}

{var x=xlist[y]}

{if extData&&extData.limit&&y>=extData.limit}

{break}

{/if}

{var from=getFrom()}

${y+1}.

${x.name}

${getArtistName(x.artists, 's-fc8')}

下载

{if extData.showCount&&x.playCount}${x.playCount}次{/if}

{/list}

{if extData&&extData.limit&&xlist.length>extData.limit}

{/if}

{list beg..end as y}

{var x=xlist[y]}

${y+1}

{if type=='rank'}

{if x.lastRank>=0}

{if y-x.lastRank>0}

${y-x.lastRank}

{elseif y-x.lastRank==0}

{else}

${x.lastRank-y}

{/if}

{else}

{/if}

{var alia=songAlia(x)}

${soil(x.name)}{if alia} - (${soil(alia)}){/if}

{if x.mvid>0}

{/if}

{if canDel}

删除

{/if}

${getArtistName(x.artists, '', '', false, false, true)}

{if x.album}

${soil(x.album.name)}

{/if}

${formatTime(x.paidTime)}

{/list}

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tp最新版官网|john lennon

tp最新版官网|john lennon

约翰·列侬（英国男歌手、音乐家、诗人、社会活动家）_百度百科

John Lennon | Biography, Songs, Albums, Death, & Facts | Britannica

如何评价约翰·列侬（John Lennon）? - 知乎

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About - John Lennon

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约翰·列侬 John Lennon | 豆瓣音乐-艺术家

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John Lennon - 歌手 - 网易云音乐

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